Institutional Critique and the history of art’s institutions.

Linked data for art and art conservation.

Fine art, printmaking, drawing, photography, visual perception, materiality and surface.

Fine art, painting, drawing, meaning and process in contemporary painting.

Psychoanalytic discourse as a model for auto-fiction, especially in moving image practices.

Artists' moving image practices, especially in relation to subjectivity, 'the body', performativity, and marginality.

Dress and textiles associated with the African diaspora, material and visual culture, writing and curating.

Sexuality, Gender and Intersectionality.

Social Practice, Collaboration and Community.

Race, Culture and East and Southeast Asian diaspora.

Fine Art practice, painting and drawing, art, race, blackness and national identity, fine art museums and collections.

British cultural history / cultural studies.

Robert Sollis Identity, Subjectivity and Feminism

New textile production and finishing technologies.

Circular and Sustainable textile design practice.

Sited artwork and mutable sculpture, living environment, mutability and change.

Design-driven and social research methods for collaborations.

New materials, applications and business models.

Textiles for fashion, interiors and automotive.

Sustainable and circular design practice.

Political Economy of Art, The Anthropocene.

Producing Art, Critical Practice, Generosity.

Fine art, context specific sculptural installation and photography.

Technical Images and Mechanical Reproducibility.

Photographic Objects and Photographic Dematerialization.

Photographic technologies and the history of the experiment.

The performative possibilities of painting.Fine art painting (including the expanded field of painting) and curation.Linked Data for art and art conservation.Semantic technologies for arts and archives.Fine art painting, curation, the histories of abstraction, modernism and the baroque.exhibition curation as praxis devising new research methodologies.archives, embodiment, oral histories and conceptual art practices.

African and diaspora contemporary art and visual cultures.Theory and practice of the curatorial, especially in relation to the global and transnational.Art history and theory and modernism and contemporary art in Brazil.Action research and participatory designĮmily Rachel Taylor Curation, Collections and Archives.Physical / Digital and the Internet of Things.Taxonomies and ideas of Classifications in Design.The practice of Agency within Communication Design.new design narratives and practices pushing disciplinary boundaries.Decolonising design and Politics of design.Design cultures - with a particular focus on the Arab region.Image Perception and Cognition: Stillness and Movement, Embodied Perception, Attention and Temporality, Modes of Address.

Dennis earley fine art america